Characters while lacking depth are likable and charming enough, and they are also nimbly voiced. It also at least knows which target audience it's aiming for and makes a real effort to appeal to both children and adults, it doesn't completely succeed but still the children will have a few chuckles and like the characters and adults will appreciate the neat inside jokes and notion of the importance of family which has enough subtlety to make it too preachy in how it's delivered. While not perfect in execution, the script is amusing with some evidence of charm and heart. The music score and song choices have a really nice Spanish flavour. The colours are vibrant and atmospherically textured enough, and there is a lot of meticulous detail.
However, there are also some lovely visuals. And it is agreed that some of the story has its disjointed and rushed (much of the pacing is suitably efficient though) moments and that some of the scientific stuff does convolute the story and may go over most viewers' heads.
There is a lack of finesse in the quite strange character designs, that do look unfinished. 'Capture the Flag' is not a great film as such and has its flaws, instead it's a decent film that could have done with more polish. As voiced by Adsit, Baymax is warmly but mechanically even-keeled in everything, but it's the physical comedy that comes from how Baymax moves and reacts to things that makes the character so instantly endearing.There are better animated films out there, let's not beat around the bush, than 'Capture the Flag', but there are far worse out there as well. Baymax gets leveled up and given some handy armor and additions, but its main concerns are still the health and well-being of Hiro and his friends.īaymax is the result of some genius-level adorable character design, waddling away from danger ("I am not fast," it unnecessarily notes), inflating itself like an air mattress, fixing leaks with tape, and attempting to fist-bump, which it accompanies with a sound that's never not funny. Baymax has been re-imagined as a medical robot its designer deliberately chose to make out of inflatable vinyl for extra approachability - it's durable and strong, but also like a giant marshmallow that comes with its own first aid kit. The round, squishy heart, and thing everyone will be talking about after seeing the movie, is Baymax, the robot who accompanies Hiro on his battle against a mysterious masked villain who's stolen the nanobot tech Hiro invented. It's not on the level of Pixar at its best - its superhero origin story is by the book and does nothing unexpected - but the central relationship between its 14-year-old protagonist Hiro Hamada (Ryan Potter) and the robot Baymax (Scott Adsit) definitely shares the right kind of endearing weirdness and surprising resonance.ĭiversity aside, nifty composite city setting aside, there's Big Hero 6's breakout character.
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It recalls, at times, Monsters, Inc., as well as Pixar's own superhero movie The Incredibles, and there's a touch of DreamWorks' How to Train Your Dragon and Brad Bird's The Iron Giant to it as well. It's more emotionally sophisticated, dealing with themes of grief and finding your place in the world that are more grounded than the high-flying adventures they're surrounded by would have you expect. Big Hero 6, which is directed by Don Hall ( Winnie the Pooh) and Chris Williams ( Bolt), is the product of the ruthlessly calculated mating of two giant brands - Marvel, owners of the comic book superhero team on which the movie's loosely based, and Walt Disney Animation Studios, Disney's flagship of animated features going back to 1937's Snow White and the Seven Dwarfs.īut in spirit, it owes just as much to Pixar, the other animation studio that executive producer John Lasseter oversees, and that isn't releasing a film this year.īig Hero 6 is a children's film, but it's one in which death is a real presence.
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